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Kurkuma


Date:
December 28, 2024

MIDPOINT SHORTS

Kurkuma

Kurkuma

Kurkuma

by Drishya Gautham
Stray Factory | India

Horror

Logline

An amateur Indian chef tries to win over his Berliner girlfriend’s friends by cooking them a lavish meal in an old Brandenburg mansion. But when he leaves a kurkuma stain on the white marble counter, he is faced with supernatural consequences as the yellow stain takes a life of its own. 

Synopsis

Kurkuma follows Magesh, a 31-year-old Indian who lives in Berlin and works for KultServ, a soulless “culture-for-hire” app, and dating a Berliner woman named Lisa. Magesh aspires to join Berlin’s artsy social circle, and so he takes a cooking job at Lisa’s friend Tobi’s immersive art party at a Brandenburg mansion.

It’s Magesh’s chance to shine—or so he hopes. The dinner goes surprisingly smoothly… until he spills kurkuma on Tobi’s pristine marble counter.  At first, he brushes it off – it’s just a small stain, and the guests seem to love his food. But the yellow stain defies all efforts to clean it, and starts spreading uncontrollably in the form of a creeping mould across the kitchen, then onto Magesh himself.

Magesh tries to suppress his growing panic, as the mould begins to follow him everywhere. Soon, the party’s atmosphere shifts. Guests start acting strange—smearing food on themselves and spiralling into bizarre, zombie-like behaviour. Terrified, Magesh searches for Lisa and finds her covered in the yellow mould and obsessively scrubbing her hands raw. He barricades himself in the kitchen and spends the rest of the night frantically scrubbing the countertop.

By morning, the chaos is gone, the guests are all asleep, and Lisa seems calm and normal. Exhausted and wondering if he imagined it all, Magesh leaves the mansion. As Magesh waits at the train station with a cup of coffee, a KultServ notification reveals Tobi has downvoted him for the kurkuma mishap. Magesh looks up from his phone, smiling slightly, as his eyes flash a bright, eerie yellow.

Author’s Note

Kurkuma was born from from my anxieties integrating into life in Berlin, where I made a deep, instant connection with the city but battled feeling like an outsider. I hope for the film to be an engaging, relatable yet surprising exploration of trying to fit in and the lingering guilt and shame of doing something wrong in the process. I would like to capture the hypocrisy of today’s so-called progressive society in our appreciation of exotic and marginalised cultures alongside our lack of curiosity – and sometimes, outright dismissal – of the depths of those very cultures.

The story came to life when my co-writer Tarana, who has a great background in genre storytelling, drew parallels with Shakespeare’s classic Macbeth. Apart from the obvious visual of the stain (“out, damned spot!”), we picked up the themes of guilt and ambition, weaving a character-driven classical story structure into the premise.

We are also excited to bring the colour and kitsch from our Indian storytelling to the often loaded subject of imigrant alienation. We believe that this blend will make for a great film for arthouse and genre audiences alike.

Some early references are social horrors like Get Out and The Witch, and absurdist satires like Black Mirror (“Nosedive”) and Triangle of Sadness.

We’re ready with a second draft of the screenplay and are ready and eager to collaborate with European producing partners on a final draft before going into prep. As I have a background in theatre and acting, I thrive on workshopping the script with actors while having a tight screenplay to back us up. We look forward to collaborating with exemplary technicians in Europe who will further elevate the project.

Company Profile

Stray Factory is an award-winning independent film production company founded by BAFTA Breakthrough & EAVE producer Mathivanan Rajendran that has focussed on international co-productions from India. Its 2019 arthouse horror ‘Nirvana Inn’, secured the Asian Cinema Fund and premiered at the Busan International Film Festival. 

Its 2020 Indo-dutch co-production ‘Nasir’ received the Hubert Bals Fund, premiered in Tiger competition at Rotterdam and had a theatrical release in the Netherlands. The film went on to win the IFFR NETPAC award, the Grand Prix at Andrei Tarkovsky Zerkalo and the FIPRESCI Best Indian Film award, in addition to widespread critical acclaim. Stray Factory also produced Drishya Gautham’s debut short film B. Selvi & Daughters, which received a grant for impactful short films from German institution GIZ. Stray Factory focuses on films that are authentic, contemporary and attempt to challenge the status quo. 

Projects in Development:
– Indi/Pendent: Indo-European musical comedy series (Created by Drishya Gautham, developed at Serial Eyes)

– 72 Hours: Newsroom thriller about reproductive rights (written by Drishya Gautham & Tarana Reddy)

– Annaikatti Blues: arthouse drama (Nasir’ director Arun Karthik’s next feature)